Me and my Oscar: Statue portraits with former winners
Chris Buck: His Oscar for co-directing “Frozen” with Jennifer Lee shares a place of honor with the statues his sons won acting in high school. He’s pictured here with son Reed, 18. (Jay L. Clendenin / Los Angeles Times)
We invited a handful of winners from recent big nights to show us and tell us where the Oscar has landed.
Chris Buck: Having an Oscar in the house caused quite a commotion in the neighborhood, he says. “Everybody would come over and make a beeline for it,” he said. (Jay L. Clendenin / Los Angeles Times)
John Ridley: His mother, seen in laptop photo, took care of his “12 Years a Slave” award for a while, but the burden of responsibility weighed a bit too heavy. (Jay L. Clendenin / Los Angeles Times)
John Ridley: After a while, his mom confessed that she found it nerve-racking to have Oscar around the house. “She was worried someone would break in and steal it. I said, “They’re more likely to steal your Toyota.” (Jay L. Clendenin / Los Angeles Times)
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Mark Bridges: Nominated this year for “Inherent Vice,” he says his 2012 Oscar for costume design for “The Artist” resides in a vase hidden in a closet in his Los Feliz home. (Jay L. Clendenin / Los Angeles Times)
Mark Bridges: “It’s the pinnacle of everything I’ve worked for, but I don’t need to see it every day,” he explains. “I like to be more focused than that.” (Jay L. Clendenin / Los Angeles Times)
Robin Matthews: She won last year for makeup and hairstyling (with Adruthia Lee) for “Dallas Buyers Club” and says she likes to travel with her prize. (Jay L. Clendenin / Los Angeles Times)
Robin Matthews: “Of course you sleep with it the first night.” (Jay L. Clendenin / Los Angeles Times)
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Morgan Neville: The documentary filmmaker picked up his statue -- now on his mantel beside his wedding photo -- last year for “Twenty Feet From Stardom.” (Jay L. Clendenin / Los Angeles Times)
Morgan Neville: “I see it as soon as I come down the stairs each morning, and it reassures me that it wasn’t all a dream.” (Jay L. Clendenin / Los Angeles Times)